Flash Art
Flash Art
ON VIEW → International exhibitions selected by Simon Castets, Director of Strategic Initiatives at LUMA, Arles; Sara Dolfi Agostini, Contemporary Art Curator at Blitz, Valletta; Eva Fabbris, Exhibition Curator at Fondazione Prada, Milan; Kate Fowle, Director of MoMA PS1, New York
FEATURES → Tishan Hsu: Body Currents by Franklin Melendez; When Your Smile Is So Wide and Your Heels Are So High: The Paintings of Louisa Gagliardi by Louisa Elderton; One to Watch. Berenice Olmedo: The Myth of Autonomy by Jane Ursula Harris; Profile. A Forever Refugee: Demna by Charlie Robin Jones; Beyond the Limits of Empirical Knowledge: Marguerite Humeau‘s New Ways of Thinking and Making by Adriana Blidaru; Visual Essay. Wet-on-Wet-on-Wet-on-Wet. A collage of works by Jenna Sutela; No Word Can Hold A Person. Isabel Parks in Conversation with Rindon Johnson; Misalignment Identities: Raphaela Vogel by Eleonora Milani; Stepping Towards Something Like an Experience: The Wu Tsang‘s Moby Dick. A Conversation with Noam Segal; Letter from the city by Pavlo Makov; Questionnaire. Artists at Risk: A Conversation with Ivor Stodolsky and Marita Muukkonen by Frank Wasser
REVIEWS → “The Milk of Dreams”: A Posthuman Revolution at the 59th Venice Biennale; Whitney Biennial 2022, “Quite as It’s Kept” Whitney Museum of American Art, New York; Barbara Kruger, “THINKING OF YOU. I MEAN ME. I MEAN YOU” LACMA, Los Angeles; Dominique Gonzalez-Foerster, “Alienarium 5” Serpentine Galleries, London; Charles Ray, Centre Pompidou and Pinault Collection – Bourse de Commerce, Paris; Heidi Bucher, “Metamorphoses I” Kunstmuseum, Ber; Jackie Winsor, MAMCO, Genève; Zoe Leonard “Al río / To the River” MUDAM, Luxembourg
FEATURES → Tishan Hsu: Body Currents by Franklin Melendez; When Your Smile Is So Wide and Your Heels Are So High: The Paintings of Louisa Gagliardi by Louisa Elderton; One to Watch. Berenice Olmedo: The Myth of Autonomy by Jane Ursula Harris; Profile. A Forever Refugee: Demna by Charlie Robin Jones; Beyond the Limits of Empirical Knowledge: Marguerite Humeau‘s New Ways of Thinking and Making by Adriana Blidaru; Visual Essay. Wet-on-Wet-on-Wet-on-Wet. A collage of works by Jenna Sutela; No Word Can Hold A Person. Isabel Parks in Conversation with Rindon Johnson; Misalignment Identities: Raphaela Vogel by Eleonora Milani; Stepping Towards Something Like an Experience: The Wu Tsang‘s Moby Dick. A Conversation with Noam Segal; Letter from the city by Pavlo Makov; Questionnaire. Artists at Risk: A Conversation with Ivor Stodolsky and Marita Muukkonen by Frank Wasser
REVIEWS → “The Milk of Dreams”: A Posthuman Revolution at the 59th Venice Biennale; Whitney Biennial 2022, “Quite as It’s Kept” Whitney Museum of American Art, New York; Barbara Kruger, “THINKING OF YOU. I MEAN ME. I MEAN YOU” LACMA, Los Angeles; Dominique Gonzalez-Foerster, “Alienarium 5” Serpentine Galleries, London; Charles Ray, Centre Pompidou and Pinault Collection – Bourse de Commerce, Paris; Heidi Bucher, “Metamorphoses I” Kunstmuseum, Ber; Jackie Winsor, MAMCO, Genève; Zoe Leonard “Al río / To the River” MUDAM, Luxembourg
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