– Cassandra Troyan, author of Blacken Me Blacken Me, Growled
"Regel doesn’t really sound like anyone. Oliver Reed introduces a poetic sensibility that seems as at odds with convention as it is equal to the moment: fully formed, virtuosic, kind of lethal. These are pitiless, discomforting poems that explore our own creatureliness with a deadly curiosity. Each is a transformation: the actor becomes a strange muse and guiding presence, to ‘smoulder a mobile furnace’; the horse, another of the book’s recurring figures, becomes more than an emblem of eros, labour and suffering; the young girl’s bratty insolence turns defiant and stricken. The voice wills these changes into being even as she ‘wills herself barren’. As much as they trouble and seduce, the poems are also watchful, vigilant – they seem to offer a means of protection. Oliver Reed is an astonishing, masterful first book."
– Sam Riviere, author of 81 Austerities